Inspired by Alice in Wonderland
Winner of the PEN/ Hemingway AwardWinner of the NBCC's John Leonard AwardA New York Times Notable BookA Washington Post Notable BookOne of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, Minneapolis Star Tribune, BuzzFeed The unforgettable New York Times bestseller begins with the story of two half-sisters,...
Order today, and your made to order product will be shipped between and .
Winner of the PEN/ Hemingway Award
Winner of the NBCC's John Leonard Award
A New York Times Notable Book
A Washington Post Notable Book
One of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, Minneapolis Star Tribune, BuzzFeed
The unforgettable New York Times bestseller begins with the story of two half-sisters, separated by forces beyond their control: one sold into slavery, the other married to a British slaver. Written with tremendous sweep and power, Homegoing traces the generations of family who follow, as their destinies lead them through two continents and three hundred years of history, each life indelibly drawn, as the legacy of slavery is fully revealed in light of the present day.
Yaa Gyasi’s rich debut novel, “Homegoing,” confronts us of the involvement of Africans in the enslavement of their own people . . . the speed with which Gyasi sweeps across the decades isn’t confusing so much as dazzling, creating a kind of time-elapsed photo of black lives in America and in the motherland . . . haunting . . . Gyasi has developed a style agile enough to reflect the remarkable range of her first novel. As she moves across the centuries, from old and new Ghana and to pre-Civil War Alabama and modern-day Palo Alto, her prose modulates subtly according to time and setting: The 18th-century chapters resonate with the tones of legend, while the contemporary chapters shine with clear-eyed realism. And somehow all this takes place in the miraculous efficiency of just 300 pages . . . truly captivating.” —Ron Charles, Washington Post